I've taken a break from querying over the summer, working on my YA Egyptian-Queen's-Spirit-Possesses-Pregnant-Teen book (it's just as angsty as it sounds!)
In the meantime, I wait for things to fall into perspective, so I can read Ways To Fall as if it weren't the product of three years of love and endless rewrites, the book that I cut my teeth on, and a story that I don't want to let go of.
I've been so disappointed by rejections, so afraid that my judgment is off, that I'm a crap writer, that my ideas are too cerebral, too out there, and just plain boring. I still have a few requests floating, but as I've mentioned before, I think of them as rejections that haven't happened yet, just so I can get on with my life. I really hope they're not--the agents involved are amazing and I would be so delighted to work with such talented and savvy people.
And yet, I'm scared of publishers. See Androssagency How eBook Royalties are Cheating Authors. Kristin Nelson has stated that publishers are undereporting eBook sales (she does say in the comments that she believes it is due to publishers not having systems in place to ensure accuracy). Passive Voice gives details about royalty statements, lots of examples and explanations. It's so ridiculous that it would be laughable, if it weren't cryable.
So, I'm leery.
I'm sketching some cover ideas and learning everything I can about self publishing (Dean Wesley Smith is a great resource, as is Joe Konrath.) Not because I don't think I can find an agent, although some days I do worry that it will never happen. I still think it would be worth 10% of net income to have a brilliant agent, just to be sure that someone is one my side and motivated to be honest and brutal, in a kind way, if neccesary. I DO NOT think publishers are the boogey man, but I have concerns. That's all I'm saying.
I would love to band together with a group of writers, edit the heck out of each others' work, and rise together out of the flood of crappy self-published ebooks out. I'd like to do chaining, where at the end of each ebook, a chapter by another author is included, leading the reader to begin another book within "the guild."
I can see this as a way that authors could easily expand their reach, without having to devote hundreds of additional hours to networking. Within the networks of the guild, each writer would find a much greater audience. We've all seen examples of authors with traditional publishers doing this- ie Class of 2011, League of Extraordinary Writers, etc.
I think about the authors I've traded crits with, and while several of them have had success following the traditional model (stop by The Green Bathtub and congratulate Amy Sonnichsen on signing with Emmaneulle Morgen at Judith Egrlich Literary Mangement!)and it's a matter of time for the rest, what if we could just do it ourselves?
Dean Wesley Smith posted today on the need to have a large backlist to be successful as a self-published author. I don't have that. I have a few short stories (okay, one, and it needs another pass) on my hard drive and one completed novel. Not exactly the 200 titles Smith recommends. But with a group of ten or fifteen other writers, we could work on manuscripts serially, putting up one a month or 6 weeks, or whatever. We could operate as our own imprint. Authors working with the imprint could keep all proceeds minus some money set aside as compensation to the guild to subsidize the next book's cover art, marketing, formatting etc. I think it would be good to have a limited number of hardcopies to give away as ARCs.
I've heard of some people having success serializing novels, and setting the price point lower, but I worry that that would create barriers for consumers and that you'd lose some readers due to the inconvenience of having to wait for the next installment or to download the next chunk. Still, setting the cost of fifty pages at $.49 might pull in some readers who are willing to part with such small change. Then again, making the first chunk of the novel free might do the same thing, better.
I'm not ready to act on this, but now you know what I'm thinking about.
What am I missing? Any ideas on how to step out of the herd?
Glutton for Punishment?
Collecting or Creating?
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What does “imagination” or “creativity” mean to you, fellow creatives?
In my youth, I thought it meant the ability to dream up wildly unreal
locales and ...
15 hours ago