Showing posts with label advice to new writers. Show all posts
Showing posts with label advice to new writers. Show all posts

Tuesday, May 17, 2011

Possibilities

Last night, I told my six year old to hold both sides of his plate.
"Wouldn't it be cool," he asked, "if our plates could float? And then we would have to hold them?"
That's a cool idea, isn't it? There's not a huge lesson here, but it was a nice reminder to me to look beyond what is, to what could be.

In "Character and Viewpoint," Orson Scott Card shares a writing exercise that he's done when visiting schools to show how easy it is to develop an idea by asking questions.

Do you want the story to be about a boy or a girl?
-A boy! No, a girl!

Ok, then, we won't decide yet. How old is this person?'
-Ten! No, Twelve!

Twelve? Why Twelve? What happens when you're twelve?
-You can stay up later.

Oh? And what do you do when you stay up later?
-Watch TV!
-The good shows!
-Scary shows!

What else can you do?
-Stay up late!

He continues with this exercise until they have a kid who is babysititng and the baby won't stop crying (What can go wrong when you're babysitting?) and he ends up calling an ambulance, which gets there right as the parents get home. Pretty good for fourth graders!

The point is, you keep asking questions. Even ten drafts in, writers should be asking questions. How can these characters have more tension between them? What's the craziest thing that could happen?

How do you develop your ideas? Is it different in rough draft vs. polishing? Do you have a favorite question you ask your story?
Glutton for Punishment?

Tuesday, January 11, 2011

This Old House and Goals

Recently, Donna left a question in the comments.
I am desperate to finish a goal, I almost never set a goal because I fail every time....any ideas?
When we were renovating our former house, it was a bit overwhelming to think of ALL of the things that needed to be done. I learned that if I broke it down into little steps, I wasn't so nervous about it.

For instance, "Renovate the bathroom" is a lot more likely to give me heart palpitations than "unscrew the old toilet paper holder and throw that piece of chipped chrome junk away." I also found that when I had a Dumpster delivered, it was easy to find old paneling and carpet to fill it with;) Maybe the same part of me that loves my prybar loves to cut ten thousand words. 

For those of you who would like info about how to set goals, I'd recommend your goals to be S.M.A.R.T.

S-Specific
M-Measurable
A-Attainable
R-Realistic
T-Track Results

I could describe all of this here, but you can read about it at Goal Setting Guide. I don't have much to add to that (I found this website when I was checking my acronym.) Instead I'll share the little steps that turned me from a dabbler in writing into a writer and some links to resources that helped me.

I started writing a little most days. Sometimes I wrote a hundred words, sometimes four thousand. But working consistently got me a rough draft 110,000 words in length in four months.
At that point I realized I didn't know how to turn my ugly manuscript into a polished novel, so I found a critique group. I tried the Online Writer's Workshop for Science Fiction, Fantasy and Horror, mainly because it had a free month trial period, and at the end of that time, I was very happy with the critiques I was getting, so I paid something like $40 to become a member. I've heard good things about Backspace, and Nathan Bransford, an ex-agent and blogging demigod, has a forums area on his website with critiques and helpful info.

A critique group is a great thing because then you can set regular goals for submitting (a chapter a week, or whatever), plus reading and critiquing other's submissions develops your inner editor. The best thing I did was to read the crits other writers wrote, especially for submissions that I thought were in good shape. It helped me to take my own writing up a notch.

I started a blog, and this led to friendships with other writers. It seems simple, but leaving comments on blogs eventually led to making online friends. This site doesn't get a million hits a day, but it fills my need to have contact with other writers, plus blogging has led me to some excellent beta readers. Beta readers are daring folks who read your manuscript and critique the whole entire thing, bless their souls! ;)

I also tried the local writer's group, but it wasn't very active, so I'm grateful that the online writing community is so welcoming. Maybe your area has a rocking writer's group, so do an internet search for writing groups or writing conferences.

The next thing I did was to go to a conference or two, and at the Atlanta Writer's Club I was able to pitch to an agent, which led to a partial submission and two referrals for my manuscript. I studied blogs on querying and sent out a few query letters. That led to some feedback from agents, which I have finally finished addressing.

A good way to find agents is the Querytracker website. The basic agent search services are free and they have a great tracking tool so you can stay organized and know who you've contacted, how quickly they typically respond, etc. I also follow agents on Twitter, and I highly recommend this. Blogs and agency websites have great information, but it is often heavily edited. Twitter is more relaxed, so you can get an idea of an agent's personality and personal life. Like if they're always talking about what jerks people are, you might want to know that they're negative going in, right? Also, check out Predators and Editors to find out if your agent or publisher is legit. There are a lot of scammers out there, so be careful.

It still seems like a huge goal to get an agent- I'll have to send out dozens, if not fifty to a hundred query letters, and this book may or may not get picked up. If it does, there may (lol!) be revisions before I even get an agent. Then more revisions, then my agent will submit to publishers and then contracts, publicity and more.

It's a lot. Focus on what you will do today to reach your goals, what you will do over the next month, the month after, the month after.

And don't be discouraged if it takes longer than you planned. After my first draft, I thought I would need a few months to get it in shape and then I'd be ready to query. Boy, was I wrong. I spent twenty seven months actively writing and editing my first novel. If I'd given up at seven months, I would have missed the lessons in craft I needed to learn. I'm still learning.
  
Finally, Donna, I saw all of the Christmas decorations in your pictures on your blog. Anybody that has enough patience to put that much garland up can write a book. Some dreams take longer, but they can still be reached. In the case of my old house, we reached our goals right before we sold it! May the same thing happento our stories, right?

May I suggest a book called "Writing Down the Bones," by Natalie Goldberg? It's a collection of essays about how writing can help you be a whole person. It's very inspiring and makes you want to grab a pen and get to work. I read it in college (and I've heard of many people using it in highschool writing classes) for a creative writing class, which was about ten years ago now. The goodreads blurb on it says it is borderline erotic, but I don't remember that. I remember the "live in the now", "Write because you are alive and the world is beautiful" kind of feel to it. She brings Buddhist philosophy into it a lot, and I thought it very helpful. So, I cautiously suggest that book.

Any other suggestions? How did you change from dabbling to being a writer? Or were you always a writer?
Glutton for Punishment?

Friday, December 31, 2010

How to Eat an Elephant?

Please excuse me for getting a little personal here- I'm working on some posts about flashbacks and pacing and a brilliant post about how I got my agent...I'll let you know as soon as I work out the details on that one! But for now, a bit about writing and how being a Sunday school teacher gave me a little push.

I started writing a few years ago as a result of being a teacher in the Young Women's organization at church. The girls, 12-17 years old, all participate in "Personal Progress," a program with hundreds of activities designed to develop different virtues. These activities could be anything from reading the scriptures daily and recording what they learn to learning a new skill.

In addition, the girls are required to complete a ten-hour project for each of these virtues, and I'd often ask the girls about their progress. As a teacher, I was encouraged to work on my personal progress alongside the girls, and that was why, when an idea flashed through my brain, I picked up a pen and wrote it down. I already had the goal in place and the time had come to act on it.

Two years after beginning to write in earnest, and four years from that first sketch, I realize that my little idea has taken slightly more than ten hours to develop!

It can be done, and here are some things that have helped me.

  • Track your progress. Whether you use a star chart or a marker on your bathroom mirror, write down your goals and what you do each day to meet that goal. It doesn't have to be number of words- that only worked for me for the first draft, but perhaps an amount of focused time? Perhaps it will be to mark up so many pages a day with tiny scribbles that seem perfectly legible until you try to decipher them a week later.
  • You can write a paragraph in five minutes, and eventually you'll fill a book. It adds up. So don't waste your spare moments. Sometimes they're all we get.
  • Eliminate the junk. I don't mean that you can't allow yourself to enjoy some leisure time- even TV can can be a nice break- but if you want to write, you have to give yourself the gift of time to write.
  • Don't get upset if you mess up. Start again. Say it with me: Today is the first day of the rest of my life!

How do you stay focused on your goals, whether writing-related or not?

I hope that you all have had a wonderful 2010, that this coming year will find you well and happy. Enjoy this video--it got me a little pumped!


Glutton for Punishment?

Thursday, March 4, 2010

Again! With Focus.

Or what I've learned from writing a query

Some authors write the book blurb or their elevator pitch first, before they even start their book, but not a pantser like me. My planning stages involved several false starts, a first draft that that has almost entirely been written over, and some early attempts at an outline. Currently, I've outlined up to Ch.11 (out of 30), but I did finish my 3 pg. synopsis, so I'm congradulating myself, even if noone else is.

As for my query, I started working on it maybe eight months ago and have gone through 10+ revisions, and still haven't got it right. I highly recommend writing your query as you write your book for three reasons.

Reasons to work on your query now instead of waiting until you finish your manuscript:

1. You will have something to say when someone asks what your book is about.
2. Your query needs time to develop through rewriting just as your book does.
3. It helps you to focus on the main points as you revise. 

In trying to pull out the major conflict that causes my MC to leave her perfect world and come to our fallen world, I realized that my opening chapters are diffuse. (Anybody watch that Medium episode? I was writing, but my husband told me about it. Joe gets asked by his boss to read the  boss's epic Sci-fi novel and keeps hounding Joe to give his impressions. So Joe finally says 'It was diffuse.' Which is not a word that I'd like applied to my writing, and this guy didn't like it either. So in Joe's performance review, everything was 'diffuse'. Communication skills? Diffuse. Organization skills? Diffuse. The moral- do not EVER tell your boss what you think of their writing. Just say you can't wait to buy it when it gets published and leave the heavy hitting for agents. Is this how people get delusional? Absolutely. Do it anyway. Save yourself!)



In real life, Allison Dubois is a psychic medium who works with the police and husband Joe is an aerospace engineer, which makes their viewpoints very different. This clip was posted by CBS, so there's a 0.5 second commercial (really, it's that short, so don't give up), but I thought it was worth the wait. And it is interesting that the producer says here that it was the husband/wife relationship that made him want to do the show. Not the cool cases she solves, not the pyschic dreams. But their unique relationship. That's what I'm trying to show in my query!

Anyhow, diffuse. As in, there are too many motivations for my MC to leave her world and come to ours, but none of them stands out. There's no moment of decison, no leading the reader to see that OF COURSE she has to make this terrible decision. It's hard, and scary, but she has to do it. I realized this when I was trying to explain her motivations succintly in the query plus I have some crit partners who have made some comments that led me to start thinking about it.

I've stopped believing that there is only one way to write this story. There will be versions that feel more mysterious, versions that feel more grounded and explain the world more quickly, and it's up to me to judge which serves the story best. Because the story is there. I just have to let it out. So thank you, query. I'm working on it.

Has your query/synopsis/blurb writing helped you?
Glutton for Punishment?

Thursday, January 28, 2010

Solidarity

I had a request for more info about my writing group and it coincided with a spot of warmth I experienced concerning my writing friends. So here goes...

Earlier today I was over at my fellow 'Online Writer's Worshop for Sci fi and Fantasy' workshopper Peter Cooper's blog, where my friend Teresa guest-blogged. (A great article on the quiet moment when everything changes, btw. Check out the links to the right) I've critted some of Peter's submissions and vice versa, and Teresa is a very good friend besides being a faithful crit partner.

Published author Kathryn Magendie left a comment about her character's quiet moment and I knew what she was talking about since I'd read her amazing book Tender Graces (about a woman who returns to her childhood home to make peace with the ghost of her mother who gave her and her brothers up to be raised by another woman.) She also happens to be an editor for a lit mag and wrote me a very encouraging rejection letter. Really, I've read it a few times when I was feeling down.

I read my fb friend (and rat afficianado) Hilary's blog about her 13-month effort to find an agent, and she responded to my question about if I should hold off on sending a query letter to a particular agent until after the pitch session I've signed up for. (Yes. Hubby and Hilary agree, so I will wait.)

The point of this is community. It hasn't taken that long (I had a crit-partners-become-friends within a few weeks on OWW) to find people that I can connect with and who are encouraging and fantastic writers and I wish we all lived near each other so we could meet every Tuesday in a local pub and we could call ourselves something cutesy and literary- maybe the Inklings? Sigh. I am not Tolkien and you are not CS Lewis. Not yet anyway. But you are here and I am here and we are writing.

This is how solidarity revealed itself to me.

A year ago, after four months of obsessical (new word. You like?) writing, I had my rough draft. I knew it needed something. Something so literary and metaphorical and streamlined that I couldn't see it through all of the words that had grown up around the idea. I did a quick search and found an online crit group with a free month trial. That sounded good.

I was literally sweating when I posted my first submission. The writing was really rough, but I didn't realize that at the time. (I was actually hoping to get picked as an 'Editor's Choice' that first time out of the stall.) It didn't happen that quickly, needless to say.

I did a lot of reviews wherein I made comments like "This didn't gel with me. Not sure why." And I reviewed others' work, read other reviews of their work just to see what I was missing. This led to a lot of head scratching for me. What does 'get rid of passive voice' mean? How can they not see the character motivation? It's in there...isn't it?

Joining a workshop taught me how to be critical of my writing, to actually read the words instead of staying in the fantasy land of what I thought I'd written. I write urban fantasy, but still. The reader should be transported to a magical place. The writer shouldn't live there.

Hubby and I watched some of the auditions for American Idol last week and Holy COW! some of those people can't sing. I can't sing either, well, maybe in a choir setting, but I know I'm not a front woman. I did a song (Doobie Brothers, "I Wanna Make It With You". I know, TMI, sorry ) karaoke night at a friend's Christmas party and it cured me of any teensy thought that maybe with a vocal coach...Nope. Not even then.

I tried the local writer's group, but genres are so different and nobody else was fantasy (much less urban fantasy). So it's been really neat to meet these amazing writers online- some still drafting or polishing, some agented and some published.

It's taken a while for me to feel like I'm not some crazy-stalking imposter, but I finally got there. I belong here, keyboard on my lap, stacks of chapters print-outs on the floor beside me. Thanks for being so nice, writers. I'm glad we're friends.
Glutton for Punishment?

Tuesday, November 3, 2009

Writing is rewriting. No kidding.

I have an imaginary world, separate from the world in my novel. The world of writing my novel. It's a place where I read through my stack of pages, make a few notes, then click my pen and put it away. It's fine. All these changes are cosmetic. The bones are in place, the description is relevant to the story, the characters are deep and consistent...but it's not real.

I'm finishing my hard-copy edit- my third pass at the whole manuscript. I THOUGHT that the end was in decent shape, but it is not. The last hundred pages are over-complicated, confused and convoluted. The good news is I thought of a way to streamline the whole thing, but it involves cutting that chunk and rewriting.

I remember thinking "I'll have to come back to this," and just wanting to get my characters to the end. That was fine, then. I needed a frame to start with, and that's what a first draft is for me. An ugly, chipped-paint, rusty, teetering scaffold.

My second pass was mainly to learn more about the craft of writing- a really long writing exercise about believable dialogue, fresh description, a weaving together of story elements to form a cohesive whole. I did a lot of workshop critiquing and read a lot of agent tips and writing articles in this pass.

So, now I'm in the third edit. Streamlining plot, refining characterization and motivations, and checking details. Cutting passive voice, deleting/adding commas, checking commonly overused words (just, that). I also have a habit of  using multiple verbs when one will do- ie- I thought I saw, I turned to see, etc. I'm not sure what that's called, but I recognize it.

I've also started a fourth edit using Microsoft Narrator (mainly so that any submissions I make to my crit group will have an extra pass of editing), where I listen to the computer read me the text. Narrator is a bit of a pain because it won't read from Microsoft Office, so I copy the chapter I'm working on into Notepad. The narrator goes as fast or slow as you want, but it feels safer to me to take notes fast, and then make the changes in Office slowly. The really nice thing about Narrator is it came with Windows. So maybe you already have it.

My next step after the Narrator edit is to hand out the full manuscript to some Beta readers. After responding to their comments, I think I'll be ready to query. In my dreams:)

I critiqued a friend's first chapter a few months ago. He hasn't read it, nor will he until he finishes his first draft. I think that's fine- that's what I did, too. Not because I didn't want feedback, but I wasn't sure I could do it. I needed to get the boost from concluding the story and believe that I was a writer before I had people tell me what was wrong with my writing. So, join a crit group if you can, but not if you're not ready to learn. Because humility and learning like to hold hands. They're going steady.

One day I'll read my MS and feel satisfied. Or at least tolerably pleased. But we're not there yet. And that's okay.
Glutton for Punishment?