Courage to Play

The beginning of my novel has a problem. I've felt something not quite right about it for a long time, and have tried adding characters, new scenes, greater conflict, and those were good things to do, but the problem remains.

I've heard at least ten times from readers- "Once I got into it, I loved it." and "After the first few chapters, it's like reading a different book." But the first few chapters have information that the reader must have, and the tone is going to be different because the world is different.

Mr. Agent's only criticism of my writing (that he informed me of, at least!) was that he didn't connect with the tone. So. There's a problem.

I was fiddling around with the idea of making a prologue, something that would let the reader know that there is a serious love story ahead, I've foreshadowed, but it wasn't enough. Then I read FIRE, by Kristin Cashore, and realized that flashbacks would fit the situation better. I know. Flashbacks have a bit of a stigma, they're confusing, they break up the tension, they're pointless- why not just show the action in real time? But I tried that, and it messes up the tone of the beginning of the novel, when readers are deciding if they like where the book is going.

But what if the difference in tone, each world having very obviously different setting and characters, made it easier to separate what story line we're in? Then it would be an asset to have such different tones.

In 'Fire', all of the flashbacks are focused on the main character, Fire's, relationship with her psycho but loving (to her) father. In the present, the reader knows he's dead. In the past, he's alive. Having a cue like that made it very easy to follow.

So, I've set up my scenes in parallel. For instance, when Lara, my MC is interrogated by the FBI, they ask her about a missing girl, and she flashes back to ther last time she saw her, when Lara was essentially interrogating the missing girl. Both scenes are stronger for being juxtaposed like that. I think.

Yesterday, I reordered my scenes. And though I have a word processor and it's just a matter of cutting and pasting and spending a few hours (like ten) checking for continuity, it felt like the riskiest thing I've done in months. I was giddy and excited to see if it would work.

I'm think it's smoothing out the speedbump of the first few chapters- which were engaging and interesting already, just separate from the rest of the book. If they were awful scenes, then switching up the order wouldn't help, but I think it was just too much at once. Regardless, I won't make a final decision until I've had some trusted readers look over it.

So, if something isn't working, don't be afraid to try something a little different. It might even make things better. And the worst that can happen is you backup your file, mess around and have to revert to the previous version. Oh well! It's worth a try!

Writing a novel is supposed to be creative! Have fun with it and don't be afraid to lose a few hours to an experiment. In an amusing twist, reordering things will make my opening scene the arrest scene, which was my opening scene in my first draft. Hmmm. Full circle?

How do you find courage to try new things? Are you like me and wait until it is completely obvious that something needs to be done? Thanks for reading!